Black filmmakers have used their works to show that the state’s inhumane treatment of black people, not the uprisings that result, is the real chaos, writes Samantha Sheppard, the Mary Armstrong Meduski '80 Assistant Professor of Cinema and Media Studies in the Department of Performing and Media Arts, in an op-ed in The Atlantic.
“When Do the Right Thing was released, many white critics were more concerned with the depiction of property damage than the state-sanctioned racist killing they saw portrayed on-screen just moments before,” Sheppard writes in the piece. “They ignored the real-life victims whose names the black and brown Bed-Stuy residents call out before the riot begins: 'It’s murder. They did it again. Just like Michael Stewart. Murder. Eleanor Bumpurs. Murder!' While those critics saw wanton violence and unwarranted destruction, black film critics, scholars, and audiences saw a scene that represented the fury and sorrow that was part of their everyday life."
Devin Flores/Cornell University
Enslavers posted as many as a quarter-million newspaper ads and flyers before 1865 to locate runaway slaves. Ed Baptist is leading the public crowdsourcing project, Freedom on the Move, that has digitized tens of thousands of these advertisements in an open-source site accessible to the public.
